‘Emilie’ Review: Defending, and Defining, a Life

By BY RHODA FENG from NYT Theater https://ift.tt/0WXe86M

A24, the Indie Film Studio, Buys New York’s Cherry Lane Theater

By BY MICHAEL PAULSON from NYT Theater https://ift.tt/DZvy6eN

Sandra Seacat, Much Admired Acting Coach, Dies at 86

By BY NEIL GENZLINGER from NYT Arts https://ift.tt/ZDzfm2V

Screen Time: A Film Star Captivates, and a Writer Is Surveilled

By BY LAURA COLLINS-HUGHES from NYT Theater https://ift.tt/enJGaRA

‘Lemons’ Review: A Fun Thought Exercise, Without Deep Thoughts

By BY HOUMAN BAREKAT from NYT Theater https://ift.tt/TsaCUEF

Sylvia Syms, Versatile British Actress, Is Dead at 89

By BY PETER KEEPNEWS from NYT Movies https://ift.tt/HP8JVh7

As ‘A Strange Loop’ Ends, Its Creator Looks Back on a ‘Supernova’

By BY MICHAEL PAULSON from NYT Theater https://ift.tt/zTMotIZ

Prototype, an Essential New York Opera Festival, Turns 10

By BY JOSHUA BARONE from NYT Arts https://ift.tt/EjshDXC

New Broadway Labor Agreement Includes Pandemic-Prompted Changes

By BY MICHAEL PAULSON from NYT Theater https://ift.tt/8n3UbGc

‘The Wiz’ Aims for Broadway After a U.S. Tour

By BY KALIA RICHARDSON from NYT Theater https://ift.tt/hLXlTbu

Does Broadway Need Another ‘Romeo and Juliet’ Musical? Pat Benatar Says Yes.

By BY ADAM NAGOURNEY from NYT Theater https://ift.tt/I9ebjhy

Divisive Battle Over Elián González Reverberates on a Miami Stage

By BY JORDAN LEVIN from NYT Theater https://ift.tt/kU7Tvah

Martyna Majok on Hoping for Magic, and Wishing for Ghosts

By BY LAURA COLLINS-HUGHES from NYT Theater https://ift.tt/t4PqEIT

‘Dodi & Diana’ Review: Two Relationships, Linked in the Stars

By BY LAURA COLLINS-HUGHES from NYT Theater https://ift.tt/T1FLGNf

‘Sesame Street: The Musical’ Review: Everything’s A-OK

By BY NAVEEN KUMAR from NYT Theater https://ift.tt/od1YONb

Why Did Instagram Pause This Play? Its Creators Still Don’t Know.

By BY LAURA CAPPELLE from NYT Theater https://ift.tt/GIoVdc1

Review: ‘Cat on a Hot Tin Roof’ Knows Its Good Angles

By BY JUAN A. RAMÍREZ from NYT Theater https://ift.tt/beh30t8

‘He Presented Another Path’: Actors and Directors on Peter Brook

By BY LAURA COLLINS-HUGHES from NYT Theater https://ift.tt/074mELs

‘Chains’ Review: Drab Lives, but Dreaming of More

By BY LAURA COLLINS-HUGHES from NYT Theater https://ift.tt/rORZjvC

When an Abortion Story Is Told as a Caper, Thriller or Farce

By BY AMANDA HESS from NYT Arts https://ift.tt/sgmrqJd